{"id":233,"date":"2017-01-25T10:38:33","date_gmt":"2017-01-25T10:38:33","guid":{"rendered":"http:\/\/morninglight.dk\/?page_id=233"},"modified":"2017-02-10T16:06:46","modified_gmt":"2017-02-10T16:06:46","slug":"about-aesthetics","status":"publish","type":"page","link":"https:\/\/morninglight.dk\/?page_id=233&lang=en","title":{"rendered":"About Aesthetics"},"content":{"rendered":"

Aesthetics
\n<\/strong>is our\u00a0consciousness about
\n<\/strong>which expreiences,
\n<\/strong>der behager
\n<\/strong>vores sanser.
\n<\/strong>Lyde,
\n<\/strong>der behager \u00f8rerne.
\n<\/strong>Former, farver, lys,
\n<\/strong>der behager \u00f8jnene.
\n<\/strong>Smag,
\n<\/strong>der behager ganen.
\n<\/strong>Lugte,
\n<\/strong>der behager n\u00e6sen.
\n<\/strong>Ber\u00f8ring,
\n<\/strong>der behager fingerspidserne.
\n<\/strong>Tanker
\n<\/strong>om sammenh\u00e6nge,
\n<\/strong>der behager
\n<\/strong>vores intellekt.<\/strong><\/p>\n

\u00c6stetik
\n<\/strong>rummer en
\n<\/strong>erfaringsopsamling,
\n<\/strong>kollektiv og individuel,
\n<\/strong>genetisk, hukommelsesm\u00e6ssig,
\n<\/strong>social, tingslig –
\n<\/strong>for hvad vi sansem\u00e6ssigt
\n<\/strong>skal stile efter
\n<\/strong>for at komme videre,
\n<\/strong>udvikle os,
\n<\/strong>tilpasse os –
\n<\/strong>overleve og opleve.<\/strong><\/p>\n

Platons skyggebilleder
\n<\/strong>p\u00e5 hulens klippev\u00e6g
\n<\/strong>er ikke et udtryk for
\n<\/strong>gudernes uopn\u00e5elige idealverden,
\n<\/strong>men et udtryk
\n<\/strong>for vores egen
\n<\/strong>erfaringsm\u00e6ssige opfattelse
\n<\/strong>af det ideelle liv
\n<\/strong>i det ideelle milj\u00f8.
\n<\/strong>Det liv,
\n<\/strong>vi stiler mod.
\n<\/strong>Det liv,
\n<\/strong>vi dr\u00f8mmer om.
\n<\/strong>Den dr\u00f8m,
\n<\/strong>der j\u00e6vnligt
\n<\/strong>f\u00e5r os til at glemme
\n<\/strong>ogs\u00e5 at leve i
\n<\/strong>og opleve
\n<\/strong>nuet.<\/strong><\/p>\n

Erfaringer
\n<\/strong>udvikles \/ for\u00f8ges
\n<\/strong>hele tiden,
\n<\/strong>s\u00e5 vores opfattelse \/ \u00e6stetiske sans
\n<\/strong>skal udvikle sig tilsvarende
\n<\/strong>hele tiden.
\n<\/strong>Vores erfaring \/ l\u00e6ring,
\n<\/strong>i denne sammenh\u00e6ng:
\n<\/strong>opfattelse af \u00e6stetik,
\n<\/strong>lagres genetisk
\n<\/strong>gennem udv\u00e6lgelse \/ overlevelse,
\n<\/strong>s\u00e5vel som hukommelsesm\u00e6ssigt,
\n<\/strong>samt i skrift, billeder,
\n<\/strong>bygningsv\u00e6rker m. m.
\n<\/strong>Eksempler
\n<\/strong>p\u00e5 genetisk lagring
\n<\/strong>af \u00e6stetik
\n<\/strong>er vores pr\u00e6ference
\n<\/strong>for symmetri
\n<\/strong>og det gyldne snit.
\n<\/strong>Patrick Grahns
\n<\/strong>“Savanne teori”
\n<\/strong>er et andet:
\n<\/strong>Siden mennesket f\u00f8rst
\n<\/strong>udviklede sig
\n<\/strong>i det syd\u00f8stlige
\n<\/strong>Afrika, har det
\n<\/strong>i mellemhjernen
\n<\/strong>lagret
\n<\/strong>en \u00e6stetisk landskabsopfattelse,
\n<\/strong>der er k\u00e6det sammen med
\n<\/strong>behovet for
\n<\/strong>tryghed:
\n<\/strong>At hvile
\n<\/strong>med bjergv\u00e6ggen trygt
\n<\/strong>i ryggen,
\n<\/strong>skuende ud over
\n<\/strong>savannen,
\n<\/strong>med overblik,
\n<\/strong>og gerne med rislende vand
\n<\/strong>lige i n\u00e6rheden.
\n<\/strong>Denne erfaringsudviklede
\n<\/strong>og tryghedsbaserede
\n<\/strong>\u00e6stetik
\n<\/strong>danner baggrund for
\n<\/strong>\u00e5rtusinders havekulturer.
\n<\/strong>Vi indretter os
\n<\/strong>efter idealet.<\/strong><\/p>\n

\u00c6stetikken
\n<\/strong>er alts\u00e5 et udtryk for
\n<\/strong>et idealbillede,
\n<\/strong>en idealtilv\u00e6relse,
\n<\/strong>som vi str\u00e6ber efter.
\n<\/strong>Og da vores
\n<\/strong>fysiske, psykiske
\n<\/strong>og sociale
\n<\/strong>milj\u00f8
\n<\/strong>hele tiden
\n<\/strong>\u00e6ndrer sig,
\n<\/strong>er vi n\u00f8dt til
\n<\/strong>hele tiden
\n<\/strong>at udvikle p\u00e5
\n<\/strong>dette \u00e6stetiske
\n<\/strong>ideal.<\/strong><\/p>\n

Det er is\u00e6r
\n<\/strong>kunstnerne \/
\n<\/strong>kunstneren i det enkelte
\n<\/strong>menneske,
\n<\/strong>der p\u00e5tager sig
\n<\/strong>denne opgave.
\n<\/strong>Ved at studere
\n<\/strong>de gamle
\n<\/strong>\u00e6stetiske opfattelser,
\n<\/strong>for derefter
\n<\/strong>at g\u00e5 imod dem,
\n<\/strong>og pr\u00f8ve nye muligheder af,
\n<\/strong>ofte provokerende
\n<\/strong>for at v\u00e6kke publikum
\n<\/strong>og s\u00e6tte gang i
\n<\/strong>t\u00e6nkningen,
\n<\/strong>skaber de
\n<\/strong>en ny \u00e6stetik
\n<\/strong>tilpasset nuet.<\/strong><\/p>\n

Beskueren,
\n<\/strong>som skal bruge
\n<\/strong>den nye \u00e6stetik
\n<\/strong>i praksis,
\n<\/strong>er aktiv i processen
\n<\/strong>med kritisk t\u00e6nkning
\n<\/strong>og intuitiv nydelse
\n<\/strong>som vurderingsv\u00e6rkt\u00f8j.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Aesthetics is our\u00a0consciousness about which expreiences, der behager vores sanser. Lyde, der behager \u00f8rerne. Former, farver, lys, der behager \u00f8jnene. Smag, der behager ganen. Lugte, der behager n\u00e6sen. Ber\u00f8ring, der Read More …<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-233","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t